James Baldwin wrote: “Love does not begin and end the way we seem to think it does. Love is a battle; love is a war, love is growing up.”

That’s perhaps the best summation of Ethan Hawke’s searing six-part HBO Max documentary, “The Last Movie Stars,” delving into the tumultuous marriage of Joanne Woodward and Paul Newman. While they were neighbors in Westport, Connecticut, they were acquaintances of mine, not close friends, our paths occasionally crossing at dinner parties and supermarkets.

According to Hawke, Newman’s youngest daughter Clea gave him a treasure trove of home movies and transcripts of interview tapes with everyone from her dad’s first wife, Jackie Witte, to directors John Huston, Martin Ritt, Martin Scorsese, George Roy Hill and Sidney Lumet. Paul was writing a memoir with screenwriter Stewart Stern, then changed his mind and impulsively burned the tapes at the dump.

Since he didn’t have their voices to narrate, Hawke has George Clooney reading Paul’s quotes with Laura Linney playing Joanne and Brooks Ashmanskas embodying writer Gore Vidal, who gave the series its name. Plus there’s Sam Rockwell, Steve Zahn, Zoe Kazan, Billy Crudup, Sally Field and surprisingly candid comments from Newman’s daughters: Stephanie, Nell, Melissa and Clea.

“The Last Movie Stars” not only examines the complexity of the Newmans’ marriage but also shows how the trajectory of their individual careers influenced, affected and challenged their bond.  “Only the two people who are involved know what binds that relationship together,” Joanne notes.

To his credit, Hawke doesn’t gloss over the difficult times: Paul’s struggle with alcoholism, Joanne’s discontent at being relegated to raising six children (three from Paul’s first marriage), and the loss of Paul’s son Scott to drugs in 1978. 

“My children are all wonderful. I love them all…but if I had to do it over again, I’m not sure I’d have children,” Joanne confesses. “Actors don’t make good parents.”

Throughout 50 years, they remained passionate partners, leaving a philanthropic legacy in Newman’s Own products, Hole-in-the-Wall Gang Camp and Scott Newman Center.

FYI: In 2007, 77 year-old Joanne Woodward was diagnosed with Alzheimer’s, and Paul Newman died of lung cancer at age 83 on Sept. 28, 2008.

On the Granger Gauge of 1 to 10, “The Last Movie Stars” is a nostalgic, engaging, intimate 8, streaming on HBO Max.

First thing you should know is that the title “Nope” is an acronym of “Not Of Planet Earth,” which foreshadows filmmaker Jordan Peele’s elusive concept of alien visitation.

After his huge success with “Get Out,” followed by “Us,” Jordan Peele tackles a sci-fi / Western / horror story, set in Southern California’s picturesque Agua Dulce, where stoic Otis “O.J.” Haywood Jr. (Daniel Kaluuya) and his volatile younger sister Emerald (Keke Palmer) are trying to continue a family tradition.

Most people don’t realize that the first film ever made – Eadweard Maybridge’s 1878 “The Horse in Motion” – featured an unidentified Black jockey, a Haywood ancestor. These Haywoods are experienced horse wranglers, supplying animals to TV and movie companies. But ever since their father (Keith David) died, the legacy of Haywood’s Hollywood Horses has declined.  

Then O.J. and Em spot a menacing, disc-shaped UFO, hovering in and out of a cloud above their ranch, spooking the horses.

Determined to capture its image on film, proving that extraterrestrials have visited Earth, Em contacts jaded cinematographer Antlers Holst (Michael Wincott) and enlists the help of Angel Torres (Brandon Perea), a low-level tech at a local electronics store.

But then there’s the mysterious disappearance of the entire audience at a nearby Wild West theme park run by geeky Ricky “Jupe” Park (Steven Yeun), a former child actor whose sit-com career abruptly ended with a chimpanzee disaster. Was Jupe’s audience abducted by the UFO?

Writer / director / producer Jordan Peele is a bit too subtle this time because, while there’s plenty of tension, often evoked by Hoyte Van Hoytema’s striking cinematography and Michael Abels’ score, the stakes are pretty low. 

And since we’re not emotionally involved (because the characters are not fleshed out), the payoff is minimal – in contrast with Steven Spielberg’s classic “Close Encounters of a Third Kind” – or M. Night Shyamalan’s thrillers. Plus, many scenes go on far too long, and it’s sometimes difficult to decipher what fast-talking Keke Palmer is saying and / or screaming. Is that intentional or just unfortunate?

On the Granger Gauge, “Nope” is a suspenseful, supernatural 6, playing in theaters.